Published in conjunction with the exhibition at the Parrish Art Museum, with essays by Terrie Sultan, Fintan Boyle, Saul Ostrow, Jeanne Silverthorne and acknowledgments by Bonnie Rychlak. Beginning in the mid-1970s Brian Gaman embarked on an exploration on the nature and process of seeing. In all his work, Gaman sought to express a visual language that is seductive and unknowable. Vanishing Point gives visitors a portal into his creative process.
Published by the Parrish Art Museum, 2016, 64 pages, 28 × 25.4 cm, hardbound, raw exposed backboard with linen spine, black endpapers, text stock 80# cover McCoy Matte
